Gemma Kate Allred holds degrees from the Shakespeare Institute at The University of Birmingham, Sheffield University, The College of Law, London Business School, and the Open University, and is currently a Doctoral Researcher with the University of Neuchatel. Her doctoral work examines how Shakespeare in performance is sold and marketed. Her co-edited volume Lockdown Shakespeare: New Evolutions in Performance and Adaptation, eds. Gemma Kate Allred, Benjamin Broadribb and Erin Sullivan, was published by Bloomsbury Arden in July 2022 and has a chapter on Lockdown Loves Labours Lost in Shakespeare and Renaissance Drama: New Medial Challenges of Visualization and Adaptation. Her examination of celebrity and Shakespeare: ‘“Who’s There?” Britain’s Twenty-First-Century Obsession with Celebrity Hamlet (2008-2018)’ was published in Shakespeare Survey 73 (2020). Gemma contributed a chapter on marketing Emilia for the Notelets of Filth: An Emilia Companion Reader (Routledge 2023). She also writes on biofiction and has contributed a chapter on the biofictional representation of Shakespeare on the modern stage in the Bloomsbury Arden collection: Shakespearean Biofiction on the Contemporary Stage and Screen (Eds. Edel Semple and Ronan Hatfull) and has a chapter on biofictional representations of Emilia Lanier in the forthcoming Biofiction Handbook for Palgrave.
2024: Literature and Writing Workshops, Université de Neuchâtel (poetry, critical theory and the novel).
2023: Literature and Writing Workshops, Université de Neuchâtel (Shakespeare, short stories, essays and speeches).
2022: Developed and taught BA Seminar: Early Modern Literature: Representing Restoration and Eighteenth-Century Women: Poetry, Drama, Prose for Université de Neuchâtel.
2021: Developed and taught BA Seminar: “Shakespeare in Performance” for Université de Fribourg.
2020: Developed and taught BA Seminar: “When Early Modern Women Talk Back: Reframing the Dark Lady of Shakespeare’s Sonnets” for Université de Neuchâtel.
2020: Literature and Writing Workshops, Université de Neuchâtel (Shakespeare, short stories, essays and speeches).
2020: Literature and Writing Workshops, Université de Neuchâtel (poetry, critical theory and the novel).
2020: Teaching Assistant, Université de Neuchâtel, Shakespeare and Performance BA Seminar.
2019: Literature and Writing Workshops, Université de Neuchâtel (poetry, critical theory and the novel).
Dec 2024: Led BA Seminar, University of Zurich, ‘Lockdown Dreams: Emotion, Immersion and Tangible Magic’.
May 2024: Guest Lecture for the Introduction to Literature in English module, Université de Neuchâtel, Heart of Darkness and Psychoanalytic Criticism
Apr 2021: Guest Lecture, Exeter University, ‘Emilia: When Early Modern Women Talk Back’.
Apr 2021: Led BA Seminar, Syracuse University, Shakespeare and Performance, ‘Lockdown Shakespeare’.
May 2020: Led Post-graduate Workshop, The Shakespeare Institute, University of Birmingham, ‘Lockdown Shakespeare’.
Apr 2020: Led BA Seminar, Université de Neuchâtel, Shakespeare and Performance, ‘Lockdown Shakespeare’.
Mar 2020: Led BA Seminar, Université de Neuchâtel, Shakespeare and Performance, ‘Staging Hamlet’.
Nov 2019: Guest Lecture for the Introduction to Literature in English module, Université de Neuchâtel, ‘To Be or Not To Be: Is that the Question?’.
Doctorante